ARTIST SCARVES SERIES
Marcel Dzama, Nathalie du Pasquier and Claudia Comte support Parley Foundation with limited edition scarves at Art Basel Paris
At Art Basel Paris 2024, Parley presents our latest collaborative artist series: three limited edition scarves designed by renowned artists Marcel Dzama (US), Nathalie du Pasquier (FR) and Claudia Comte (CH).
Made in Italy and crafted from 40% silk and 60% upcycled Parley Ocean Plastic®, the scarves measure 130 cm x 130 cm and are available in editions of 100 signed and numbered proofs per artist for €450/$450. All proceeds support the Parley Foundation, bringing together fashion and environmental consciousness to help fund ocean initiatives and programs that are making a difference in communities through beach cleanups, plastic waste interception and free ocean education for all.
“I GOT INVOLVED WITH PARLEY BECAUSE THEIR MISSION IS SO IMPORTANT. IT’S HARD TO FEEL LIKE YOUR CHOICES MAKE A DIFFERENCE BUT THEY DO. IT MATTERS TO ALL OF US TO EACH DO WHAT WE CAN.”
MARCEL DZAMA
Claudia Comte — The Great Blue Hole, 2024
Claudia Comte (b. 1983, Grancy) is a Swiss artist based in Basel, Switzerland. Her practice is guided by a longstanding interest in teasing out the history and memory of biomorphic forms through traditional hand processes, industrial and machine technologies. Comte’s site-specific installations bring together monumental wall paintings and sculptures playfully inspired by organic patterns and morphology, paying testament to the intelligence and transformative capacities of the ecological world.
Marcel Dzama — New Morning, 2022/24
Claudia Comte (b. 1983, Grancy) is a Swiss artist based in Basel, Switzerland. Her practice is guided by a longstanding interest in teasing out the history and memory of biomorphic forms through traditional hand processes, industrial and machine technologies. Comte’s site-specific installations bring together monumental wall paintings and sculptures playfully inspired by organic patterns and morphology, paying testament to the intelligence and transformative capacities of the ecological world.
Nathalie du Pasquier — Sotto, 2024
Nathalie du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, she has dedicated herself to painting, exploring the relationship between objects and spaces through various mediums like paintings, sculptures, and ceramics. Her work blends representational and non-representational forms, merging tangible and intangible elements. Du Pasquier’s creations blur the lines between objects, spaces, and environments, enriching her imaginative world. She views her past works as raw material for future projects, always pushing the boundaries of artistic expression.